SS Rajamouli’s son, SS Karthikeya, produces Don’t Trouble the Trouble, a fantasy film directed by debutant Shashank Yeleti. The film, presented by the Baahubali director himself, hit theatres today after impressive promotions. Our Don’t Trouble The Trouble review examines whether this fantasy adventure delivers on its ambitious premise.
Story
Soori, played by Fahadh Faasil, is an orphan who tries any scheme to get quick money. After duping local gangster Aslam Bhai (Mahesh Manjrekar), he faces an ultimatum to deliver Rs. 25 lakh in two days. Desperate for cash, he crosses paths with Divya (Ssara Palekar), a runaway from wealth who mistakes him for a magician and seeks help. Soori sees her as his way out of debt and tries to manipulate her. The rest of the film shows how both their journeys unfold amid unexpected twists.
Performances
Fahadh Faasil delivers a convincing performance as the street-smart hustler Soori, bringing depth to a morally ambiguous character. His chemistry with Baby Ssara Palekar works in parts, especially during the emotional moments. The young actress shows promise and handles her role with confidence.
Venkatesh Kakumanu, Subbaraju, and Saurabh Sachdeva play supporting roles adequately, though their characters lack the depth needed to make a lasting impact. Mahesh Manjrekar as the antagonist brings his usual intensity but gets limited screen time.
Technical Aspects
The cinematography captures the fantasy elements with decent visual appeal, though the film could have benefited from more imaginative world-building. The background score supports the narrative but doesn’t elevate it. Production values are adequate for a film of this scale, with SS Rajamouli’s presentation bringing credibility to the project.
Analysis
Don’t Trouble The Trouble is directed by debutant Shashank Yeleti, whose ambition shows but execution weakens the movie’s impact. The film clearly positions itself as a fantasy adventure driven by a child protagonist, but it lacks the solid emotional core essential for such stories.
While the trailer promised an engaging ride, the screenplay is mostly dull and lifeless. The first half meanders without clear direction, and the scenes between Fahadh and the child feel tedious, except for a ten-minute episode near the interval where he discovers her truth.
The police investigation subplot adds little value to the narrative. The transformation in Fahadh’s character is delayed until the very end, making the storytelling feel stretched and tedious. The climax attempts to deliver emotional depth but comes across as a dragged episode that extends an already paper-thin narrative.
The film also struggles with pacing issues throughout its runtime. What could have been a tight 100-minute entertainer is stretched beyond necessity, testing audience patience.
Positives
- Fahadh Faasil and Baby Ssara’s performances
- A few engaging scenes near the interval
- Decent production values
- Rajamouli’s presentation adds credibility
Negatives
- Dull and lifeless screenplay
- Uninteresting scenes dominate the runtime
- Unnecessary police investigation subplot
- Dragged climax
- Poor pacing throughout
- Weak emotional core
Don’t Trouble The Trouble Review And Verdict
Don’t Trouble The Trouble had the potential to be an engaging and emotional fantasy entertainer, especially with Fahadh Faasil’s credibility and SS Rajamouli’s presentation backing it. However, aside from a very small portion of its runtime, it turns into a tedious experience filled with boring moments and a weak screenplay. The film disappoints despite its promising setup and talented cast.
